Born in 1918 in Wichita, Kansas.
Died in 1978 in Tucson, Arizona.
William Eugene Smith was an American photojournalist known for his refusal to compromise professional standards and his brutally vivid World War II photographs.
Smith graduated from Wichita North High School in 1936. He began his career by taking pictures for two local newspapers, The Wichita Eagle (morning circulation) and the Beacon (evening circulation). He moved to New York City and began work for Newsweek and became known for his incessant perfectionism and thorny personality. Smith was fired from Newsweek for refusing to use medium format cameras and joined Life Magazine in 1939 using a 35mm camera. In 1945 he was wounded while photographing battle conditions in the Pacific theater of World War II.
As a correspondent for Ziff-Davis Publishing and then Life again, Smith entered World War II on the front lines of the island-hopping American offensive against Japan, photographing U.S. Marines and Japanese prisoners of war at Saipan, Guam, Iwo Jima, and Okinawa. On Okinawa, Smith was hit by mortar fire. After recovering, he continued at Life and perfected the photo essay from 1947 to 1954.
In 1950, he was sent to the United Kingdom to cover the General Election, in which the Labour Party, under Clement Attlee, was narrowly victorious. Life had taken an editorial stance against the Labour government. In the end, a limited number of Smith’s photographs of working-class Britain were published, including three shots of the South Wales valleys. In a documentary made by BBC Wales, Professor Dai Smith traced a miner who described how he and two colleagues had met Smith on their way home from work at the pit and had been instructed on how to pose for one of the photos published in Life.
Smith severed his ties with Life over the way in which the magazine used his photographs of Albert Schweitzer. Upon leaving Life, Smith joined the Magnum photo agency in 1955. There he started his project to document Pittsburgh. This project was supposed to take him three weeks, but spanned three years and tens of thousands of negatives. It was too large ever to be shown, although a series of book-length photo essays were eventually produced.
From 1957 to 1965 he took photographs and made recordings of jazz musicians at a Manhattan loft shared by David X. Young, Dick Cary and Hall Overton.
In January 1972, Smith was attacked by Chisso employees near Tokyo, in an attempt to stop him from further publicizing the Minamata disease to the world. Although Smith survived the attack, his sight in one eye deteriorated. During the time Smith was not able to work due to his injuries, his wife of Japanese origin Aileen. M. Smith continued the work. Smith and his wife lived in the city of Minamata from 1971 to 1973 and took many photos as part of a photo essay detailing the effects of Minamata disease, which was caused by a Chisso factory discharging heavy metals into water sources around Minamata. The essay is published in 1975 as ‘Minamata’, ‘words and photographs by W.E. Smith and A.M Smith’. One of his most famous works, Tomoko Uemura in Her Bath, taken in December 1971 and published a few months after the 1972 attack, drew worldwide attention to the effects of Minamata disease.
Today, Smith’s legacy lives on through the W. Eugene Smith Memorial Fund to promote “humanistic photography”. Since 1980, the fund has awarded photographers for exceptional accomplishments in the field.
Portrait: Jean Dieuzaide (jean Dieuzaide Archives)